Tag: workshop

A Leaf From Her Book

An absolute and constant motivation for us in creating the Dead Feminists series has been the opportunity to find and share the words and stories of women that people should know, but often don’t. While this might be considered teaching, a February trip to Farmville, Virginia, gave us the chance to be the students. We were invited by Longwood University Professor Kerri Cushman to learn more about the struggle against school segregation that began April 23, 1951 in Prince Edward County—long before the Montgomery bus boycott. On that day, 16-year-old Barbara Rose Johns led her classmates to strike against conditions at their all-black high school. Her persistence convinced NAACP lawyers to take up the students’ cause, filing a suit which would become one of five cases included in Brown v Board of Education.Farmville, Virginia photo by Chandler O'Leary

Farmville, Virginia photo by Chandler O'Leary

R.R. Moton Museum photo by Chandler O'Leary

Barbara’s former high school is now the home of the Moton Museum, a National Historic Landmark. A reconstruction of temporary tar paper shacks built to house overcrowded students, and first-person accounts help visitors understand the extreme conditions that motivated students to strike. According to Barbara’s sister, Joan: “In winter the school was very cold. And a lot of times we had to put on our jackets. Now, the students that sat closest to the wood stove were very warm and the ones who sat farthest away were very cold. And I remember being cold a lot of times and sitting in the classroom with my jacket on. When it rained, we would get water through the ceiling. So there were lots of pails sitting around the classroom. And sometimes we had to raise our umbrellas to keep the water off our heads. It was a very difficult setting for trying to learn.”

R.R. Moton Museum photo by Chandler O'Leary

Farmville, Virginia photo by Chandler O'Leary

Farmville, Virginia photo by Chandler O'Leary As a result of the Brown decision, in 1959 the Board of Supervisors refused to appropriate any funds at all for the County School Board. From 1959 to 1964 Prince Edward County closed their public schools to avoid integration. While many white children attended segregated private schools, black children had to go elsewhere, attend makeshift schools, or forego years of formal education. In 1964, The Supreme Court in Griffin v. Prince Edward ordered schools to reopen, declaring “the time for mere ‘deliberate speed’ has run out.”

Virginia Civil Rights Monument photo by Chandler O'LearyThe Virginia Civil Rights Memorial in Richmond honors Barbara and the striking students.

Virginia Civil Rights Monument photo by Chandler O'Leary

As we considered how best to honor Barbara’s story in our collaboration at Longwood, we took inspiration from what motivated her to take courageous action:  “It was time that Negroes were treated equally with whites, time that they had a decent school, time for the students themselves to do something about it. There wasn’t any fear. I just thought — this is your moment. Seize it!”

Process photo of the creation of our Barbara Johns print at Longwood University

We knew this project would be a little different from our other Dead Feminists broadsides–it would have to happen in a short visit, and we had the special opportunity to create a bigger collaboration and utilize handmade paper. Kerri and her students embraced the idea of making shaped paper that would reference the region’s history as a tobacco producer as well as suggest the shape and look of high school pennants. Kerri created custom paper moulds, and Chandler’s illustration worked to fill the space in both form and content.

Process photo of the creation of our Barbara Johns print at Longwood University

We also created stencils (magnetic sheets cut to resemble leaf veins) and used actual cooked tobacco “juice” to stain each sheet of handmade paper. The five leaf veins represent the five school integration cases.

Process photo of the creation of our Barbara Johns print at Longwood University Process photo of the creation of our Barbara Johns print at Longwood University

In addition to the gorgeous papermaking facilities at Longwood, there are plenty of printing presses. Kerri and her students created plates from Chandler’s illustration on site, and we handset the curved colophon. With ink mixed, we had two presses running and plenty of community members and students attending our working demonstration.

Process photo of the creation of our Barbara Johns print at Longwood University Process photo of the creation of our Barbara Johns print at Longwood University Process photo of the creation of our Barbara Johns print at Longwood UniversityProcess photo of the creation of our Barbara Johns print at Longwood UniversityThe shaped leaf was best handled through the presses by carefully mounting with painter’s tape on a carrier sheet.

Process photo of the creation of our Barbara Johns print at Longwood University

Process photo of the creation of our Barbara Johns print at Longwood University

Process photo of the creation of our Barbara Johns print at Longwood University

We completed the edition with a lot of help from Kerri and her amazing students, including talented and enthusiastic studio assistant Juan Guevara. Working together, we made it happen!

"Broad Words" exhibition featuring artwork by Chandler O'Leary and Jessica Spring

We also shared our work in Longwood’s gallery, including some very big steamroller prints.

Detail of Barbara Johns mini Dead Feminists broadside by Chandler O'Leary and Jessica SpringWe completely enjoyed the opportunity to learn more about Farmville, papermaking, the Moton Museum, and of course, Barbara Rose Johns, as we share her story. We hope “A Leaf From Her Book” honors her bravery as a young woman, but also her continued commitment to education, as shown through her work as a librarian until the end of her life in 1991.

Kerri Cushman of Longwood University and Lara Fergeson of the Moton MuseumVery special thanks to Longwood Professors Kerri Cushman and Larissa Fergeson–collaborators, teachers and hosts–for seizing the moment with us.

 

Mountain dispatch

Penland School of Crafts photo by Chandler O'Leary

All I can manage is a quick note today—because this is where I am right now … and this place has got me pretty speechless.

Penland School of Crafts photo by Chandler O'Leary

I’m here teaching with Jessica this week, with a studio full of smart, sassy, and seriously talented women.

Penland School of Crafts photo by Chandler O'Leary

The class has got us inspired to stay up late printing every night, but it’s hard to feel tired—

Penland School of Crafts photo by Chandler O'Leary

—when you’ve got this view waiting for you when you return to work every morning.

Printing at Penland

Blue Ridge Parkway photo by Chandler O'Leary

When Jessica and I were in North Carolina last summer, we had just enough sightseeing time to squeeze in a short trip along the aptly-named Blue Ridge Parkway.

Blue Ridge Parkway photo by Chandler O'Leary

Between the dappled sunlight,

Blue Ridge Parkway photo by Chandler O'Leary

the lush Southern greenery,

Blue Ridge Parkway photo by Chandler O'Leary

and the unexpected splashes of color,

Blue Ridge Parkway photo by Chandler O'Leary

we were enchanted in an instant.

(I, for one, was tempted to do a little Katniss Everdeen impression—just run away from it all and head for the hills.)

Blue Ridge Parkway photo by Chandler O'Leary

It wasn’t hard to imagine sitting down and breaking out the paper and paints, with all that blue haze as inspiration.

Penland School of Crafts photo by Chandler O'Leary

The folks at the nearby Penland School of Craft certainly agree. Since Lucy Morgan founded it in 1929, Penland has become a national center for craft education. Widely respected for its preservation of handcraft traditions, Penland is centered on total-immersion study and both traditional and experimental techniques. Settled in a quiet pocket of the Blue Ridge Mountains, it’s an inspiring setting for focused work. Thanks to its reputation and location, the school attracts some of the country’s best artists and fine craftspeople to study and teach in the Penland studios.

So you can imagine how thrilled and honored Jessica and I were when they asked us to come and teach a letterpress workshop there this summer.

We’ll be teaching a one-week printing intensive, and doing our very best to turn the printshop upside down. This ain’t your grandpa’s letterpress. Here are the details:

Letterpress: Old Dog, New Tricks

A printmaking intensive with Chandler O’Leary and Jessica Spring
Penland School of Crafts, Penland, NC

Summer Session 7: Aug. 26 to Sept. 1, 2012 

Typesetting at Springtide Press; photo by Chandler O'Leary

In the class, we’ll work with both hand-set type and photopolymer plates to produce editioned prints that combine the two techniques.

Process photo of "Tugboat Thea" letterpress broadside by Chandler O'Leary and Jessica Spring

We’re going to get pretty technical, pretty fast, but don’t worry—the workshop is open to all levels of experience. That way we can bring letterpress newbies up to speed quickly, and give more experienced printers the chance to go nuts and geek out with us.

Detail of "Unnatural Light" letterpress print by Jessica Spring

“Unnatural Light” by Jessica Spring

You’ll be doing some death-defying typesetting by hand, using Jessica’s acrobatic techniques,

Detail of "On a Mission" letterpress broadside by Chandler O'Leary and Jessica Spring

On a Mission Dead Feminist print

and I’ll teach you the ropes of designing for photopolymer, so you can throw a three-ring hand-drawn circus into the mix.

Blue Ridge Parkway photo by Chandler O'Leary

So get thee to the mountains and join us! Registration is open now, but don’t wait too long—the class is capped at 12 students.

See you in North Carolina! Save me some grits, will you?