Devotional Labor broadside

$45.00

Original letterpress broadside featuring a quote by first woman Secretary of Labor Frances Perkins. Hand-printed in a limited edition.

66 in stock

Description

“Feminism means revolution and I am a revolutionist.”

— Frances Perkins

This hand-pulled letterpress print is printed from hand-lettered original typography and hand-drawn illustrations (in fact, everything was done by hand, the hard way!). This piece was created in honor of the foundation of labor upon which our society is built.

Labor activist and first woman Cabinet member Frances Perkins is an unlikely revolutionary symbol, but one whose work changed our whole society. We have her to thank for the minimum wage, Social Security, work-hour limitations, workplace safety regulations, employee injury compensation, unemployment benefits, anti-child-labor laws, disability income, and more.

Our 33rd broadside, Devotional Labor, references both the social scaffolding Perkins built and the revolutionary nature of her work. We used metallic inks throughout for an industrial feel and to enhance the print’s bold, graphic shapes. The 1930s color scheme is an homage to the famous posters of the Works Progress Administration (WPA), and the design also nods to revolutionary and propaganda posters from throughout the 20th century.

To help bolster women and feminist workers in every kind of labor, we are donating a portion of our proceeds to 9to5, a non-profit that fights for workers on many fronts: equal pay, affordable housing, paid sick and family leave, workplace sexual harassment, raising the minimum wage, and more. We are making a second donation to the Frances Perkins Center to help support the historic Perkins Homestead and preserve Perkins’ legacy. We are supporting both organizations via Action Grants from the Dead Feminists Fund.

Edition size: 169
Paper size: approximately 10 x 18 inches

Colophon reads:
Frances Perkins (1880 – 1965) was born Fannie Coralie Perkins in Boston, but spent time throughout her life at the family’s homestead in Newcastle, Maine. The saltwater farm was designated a National Historic Landmark in 2014, and includes remnants from the Perkins’ 19th century brickworks business. Frances graduated from Mt. Holyoke, and became active in the suffrage movement while attending graduate school at Wharton and Columbia. She led the New York office of the National Consumers League, and witnessed the 1911 Triangle Shirtwaist Factory fire. As a primary investigator, Perkins’ efforts led to the enactment of some of the first national workplace health and safety laws.

In 1933 Perkins became the first woman appointed to a presidential cabinet, serving as Labor Secretary for Franklin Delano Roosevelt until 1945. She played a key role writing New Deal legislation, enacting an alphabet soup of agencies and programs known by their acronyms: CCC, WPA, NLRB, FLSA, etc. As chairwoman of the President’s Committee on Economic Security, she led the passage of the Social Security Act of 1935, to ensure old-age benefits for workers, unemployment insurance, and aid for mothers, children and disabled people. Perkins declared: “I came to Washington to work for God, FDR, and the millions of forgotten, plain common workingmen.” Perkins continued fighting for social and economic justice, serving under the Truman administration on the Civil Service Commission, then teaching until her death. President Carter renamed the US Department of Labor headquarters the Frances Perkins Building in 1980.

Illustrated by Chandler O’Leary and printed by Jessica Spring, in honor of the foundation of labor upon which our society is built. 169 copies were printed by hand at Springtide Press in Tacoma.

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This original artwork is copyright Chandler O’Leary and Jessica Spring 2022. Copyright is not transferable with the sale of this print. The buyer is not entitled to reproduction rights.

WA state residents are subject to sales tax.

The print is packaged in a clear poly sleeve and will ship flat in a protective mailer, via USPS Priority Mail.

Additional information

Print size

Print is approximately 10 x 18 inches, with a deckle (natural rag) edge at the bottom of the piece.

Hand-printed

This original letterpress broadside was hand-printed on a Vandercook Universal One press.

Paper type

Printed on heavyweight Magnani Revere paper, 100% cotton and acid free. There is a natural deckle (rag edge created by the edge of the paper mould) at the bottom of the piece. For ease of handling, print is packaged in an archival clear poly sleeve.

Edition size

190 prints. Prints are signed by both artists, and numbered as part of a limited edition. This letterpress edition will never be reprinted; once the edition sells out, it's gone for good.

Display info

Print is unframed. This print was made from the best archival paper and inks available. Any piece of artwork can fade if displayed improperly, however; for best results, display your print away from direct sunlight. This piece is NOT a standard frame size (sorry about that).