Category: In the Wild

Rose City gals

Powell's City of Books photo by Chandler O'Leary

Seeing our stuff for sale at my all-time favorite bookstore makes me happier than I could ever see. If you’re in Portland, or you’re going to be, you can now find Dead Feminists postcards, lemonade journals and mini-prints at Powell’s City of Books! Last time I was there I found them in the Red Room.

Powell's City of Books photo by Chandler O'Leary

Rumor has it they’re also in the Orange Room, but Powell’s is crazy-huge and charmingly labyrinthine, so I never did come across them there. Never fear, though: the myriad Info Desk staff are smart and lovely. They’ll point you in the right direction.

"Dead Feminists" postcards by Chandler O'Leary and Jessica Spring

P.S. How cool is the description on that sign? I love these people.

Signed, Sealed, Soapbox

"Signed, Sealed, Soapbox" letterpress broadside by Chandler O'Leary and Jessica Spring

It’s hard to ignore the news of protests, ahem, occupying the attention of cities around the world—of the many and diverse thousands of people unified under one simple, yet infinitely faceted mantra. As members of the, well, vast majority of folks without any real political or financial clout in the world, Jessica and I can get behind their message—but that’s not so much the point. What really amazes us is that with a little tenacity and strength in numbers, the powerless can suddenly become very powerful, indeed.

It made us think of a woman who, despite having a famous sibling, would have disappeared into obscurity but for the simple act of picking up a pen.

My power was allways small tho my will is good.  —Jane Mecom

Jane’s eminent brother, on the other hand, had a little more faith:

Energy and persistence conquer all things.  —Benjamin Franklin

Jane had both energy and persistence in spades—although we marvel at how she managed it, with twelve kids, a family business and a house perpetually full of boarders to occupy her attention. Yet of Benjamin’s sixteen siblings, Jane is the only one whose story has survived the 200+ years since her death—and all because she committed her thoughts to paper. So in honor of Ben and Jane’s relationship, and in solidarity with those who find the strength to speak up, we present our first dual Dead Feminist broadside, Signed, Sealed, Soapbox.

Since this is also our first print that features a cameo from a male Dead Feminist (nope, you don’t have to be female to be a feminist), we thought it deserved a little something extra. So we set it up like a conversation—or in this case, a written correspondence. Besides, there was just so much historical ground to cover—even condensing the information to a blog post is a challenge, let alone plucking two sentences from a lifetime of dialogue. (If you haven’t already guessed, this post is a long one. Grab a cuppa if you dare to settle in!)

The letters of Benjamin Franklin and Jane Mecom

What first sent us down the Jane Mecom rabbit hole was an article about her in the New York Times, written by Jill Lepore. Lepore’s words sent me searching for more information, and I found it buried in the stacks of my local public library. I uncovered an obscure tome: The Letters of Benjamin Franklin and Jane Mecom, by Carl van Doren. The book chronicles their entire surviving correspondence—98 letters in all, printed in full. I was a little worried that the writing style of the day would make even skimming for quotes a chore—but in truth, I couldn’t put it down. It was like peering into the lives of any two ordinary people who happened to care for each other very much. There’s humor, and worried advice, and gossip, and gentle sarcasm, and the occasional scolding (usually on Jane’s part) when one or the other let too much time pass between letters. Most of all, there’s love—it’s there on every page. After all of that, we couldn’t just limit the broadside to a couple of one-liners. So the quotes are accompanied by excerpts from their actual letters, each calligraphed as closely as possible to Ben and Jane’s actual handwriting. Even the spelling errors and colonial-era grammar are intact; we figured it was better not to mess with history.

Detail of "Signed, Sealed, Soapbox" letterpress broadside by Chandler O'Leary and Jessica Spring

Jane’s excerpted letter:

I have wrote & spelt this very badly but as it is to Won who I am sure will make all Reasonable allowances for me and will not let any won Els see it I shall venter to send it & subscrib my Self yr Ever affectionat Sister, Jane Mecom.

Ben’s reply:

Is there not a little Affectation in your Apology for the Incorrectness of your Writing? Perhaps it is rather fishing for Commendation. You write better, in my Opinion, than most American Women. Believe me ever Your loving Brother, B. Franklin.

There are few Founding Fathers more famous than Ben Franklin, but Jane was somewhat of a mystery. What we do know is that she had a very different life than her illustrious brother. Thanks to the simple fact of having been born female, her youth was spent having babies rather than obtaining an education. Her life was marked with misfortune, poverty and the deaths of nearly everyone she loved. Yet through it all she craved knowledge, and read everything she could get her hands on. She was a skilled craftsperson, making the famed Franklin Crown Soap and teaching the trade to others. And she followed her brother’s career with pride—and he supported her in return, both financially and emotionally.

Philadelphia photo by Chandler O'Leary

I spent time in both Boston and Philadelphia this summer—ye olde stomping grounds for Doctor Franklin. I had the library book of letters with me on the trip, so their words lent an interesting depth to my wanderings.

Boston photo by Chandler O'Leary

Boston is one of my hometowns, so it was there that I did the most digging. And it turned out that digging was necessary. Ben’s presence is everywhere in Philly, but in Boston, with so many Revolutionary War heroes to honor there, the Franklin family’s presence is far more subtle. And Jane? Well, she’s almost nowhere to be found.

Almost.

Boston photo by Chandler O'Leary

This plaque is all that’s left of the house where Jane spent all her life. It was knocked down to make room for a memorial to Paul Revere. The plaque does mention her briefly, but not by name. Another hazard of being female in the eighteenth century, I suppose.

But Jane lived through the Revolutionary war—in fact, as a resident of the North End, her home was right in the thick of it. In 1775 she fled the British-occupied city and took refuge with friends near Providence, Rhode Island. There, Ben came to rescue her. He took her to Philadelphia, where she spent a year with him before returning to a liberated Boston. While that year was full of turmoil and uncertainty for the citizens of the new United States, 1776 was quite possibly the best year of Jane’s life. For the first time in ages, she could bask in her beloved brother’s company—and he made time for her despite being busy with other things (you know, like founding our country)—and as the honored guest she was largely free from work and family duty.

As far as I can tell, it was also the last time she ever laid eyes on him. Visiting at all was a rare treat—between Ben’s high-profile career and the then-formidable distance between Boston and Philadelphia, it was impossible for them to visit one another more than a handful of times in their entire lives. And since it would have taken weeks for a letter to cross five colonies, and months to traverse the ocean to reach Ben in France, it’s a wonder they remained as close as they did all their lives. Lends a whole new meaning to “snail mail,” doesn’t it?

Detail of "Signed, Sealed, Soapbox" Dead Feminist broadside by Chandler O'Leary and Jessica Spring

Signed, Sealed, Soapbox is illustrated with the sweeping curves of ornate penmanship and the detailed linework of colonial engravings. A faux-bois forest of branches and flowers resembles the printed toile fabrics of the day. The swoops and swirls of the calligraphy rest in stately Wedgwood blue (complimented by a telltale vase at the bottom!), while Ben and Jane’s correspondence occupies a buttery yellow letter edged like a vintage postage stamp.

And though there is no surviving likeness of Jane Mecom, she deserves so much more than the portrait of a Jane Doe. Instead, she is made in the image of The Comtesse d’Haussonville by French painter Jean-Auguste-Dominique Ingres.

"Signed, Sealed, Soapbox" hand-lettered process drawing by Chandler O'Leary and reference to Ingres painting

Ben was the best big brother Jane could have asked for. So in honor of his positive influence, we’ll be donating a portion of our proceeds to the Puget Sound chapter of Big Brothers, Big Sisters—an organization dedicated to providing children facing adversity with mentor relationships that change their lives for the better, forever.

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Signed, Sealed, Soapbox: No. 14 in the Dead Feminists series
Edition size: 176
Poster size: 10 x 18 inches

Printed on an antique Vandercook Universal One press, on archival, 100% rag (cotton) paper. Each piece is numbered and signed by both artists.

Colophon reads:
Jane (Franklin) Mecom (1712 – 1794) was born in Boston’s North End, the youngest daughter of a soap maker. Married at fifteen, she had no formal education but was a voracious reader of books supplied by her brother. She ran a boarding house and made soap to support her ailing husband, her elderly parents and her twelve children. She outlived all but one of them. Her “Book of Ages” chronicles the deaths of these loved ones, but what little we know of Jane herself can be traced to a lifetime of correspondence with her beloved brother.

Benjamin Franklin (1706 – 1790) attended school for just two years before becoming a printer’s apprentice at age twelve, but was eventually awarded honorary degrees from Harvard, Yale and Oxford. He founded the first lending library in America, reformed the colonial postal system and became the first U.S. Postmaster General. He espoused the values of thrift, hard work, education, community spirit and tolerance, and opposed authoritarianism in both religion and politics.

Despite the differences in their education and circumstances, Benjamin largely treated his sister as an equal, and penned more letters to her than any other person in his life. He sent his writings and political essays to get Jane’s opinion, and notable figures of the day visited her to pay their respects out of deference to the famous Franklin. Benjamin provided decades of financial support for Jane and her children, and upon his death bequeathed her a comfortable living — as well as public trusts to the cities of Boston and Philadelphia to fund mortgages, school scholarships and eventually establish the Franklin Institute of Technology.

Illustrated by Chandler O’Leary and printed by Jessica Spring, 100% occupied with Benjamin’s wise words — and deeds — as he signed the Declaration of Independence: “Yes, we must, indeed, all hang together, or most assuredly we shall all hang separately.”

Now available in the shop!

Detail of "Signed, Sealed, Soapbox" letterpress broadside by Chandler O'Leary and Jessica Spring

Feminists of letterpress

Ladies of Letterpress Conference photo by Chandler O'Leary

Virginia Woolf said that “a room of one’s own” was essential for women to do creative work—so imagine what 150 women could do with such a room. Jessica and I got to unveil our newest broadside at the first-ever Ladies of Letterpress Conference in Asheville, NC, where we were asked to speak about our series. It was unbelievably inspiring to stand in a room full of heavy equipment—

Ladies of Letterpress Conference photo by Chandler O'Leary

and even more exciting to help our fellow lady printers turn that room into a powerhouse. The conference was a smashing success, and we were both surprised and heartened to discover just how many of us are out there.

Ladies of Letterpress Conference photo by Chandler O'Leary

The three days of LofLCon were jam-packed with panel discussions, demos and presentations with the most prominent and skilled members of the letterpress community;

Ladies of Letterpress Conference photo by Chandler O'Leary

an exhibition to introduce us to a vast array of talent;

Ladies of Letterpress Conference photo by Chandler O'Leary

and a whole lot of hard-won know-how—like when to salvage an old press, and when to hold a funeral. (Sigh.)

Ladies of Letterpress Conference photo by Chandler O'Leary

Absorbing letterpress goodness by osmosis was wonderful—

Ladies of Letterpress Conference photo by Chandler O'Leary

—but the best part was meeting dozens of long-admired artists and brand-new, fresh faces alike.

Ladies of Letterpress Conference photo by Chandler O'Leary

I can’t express enough how excellent the weekend was—Jessica White and Kseniya Thomas (pictured here in white, giving a die-cutting demo on the platen press) deserve a standing ovation for organizing such a fabulous event, and wrangling so many printers to make it happen.

Ladies of Letterpress Conference photo by Chandler O'Leary

And for those hundred-plus people who shoehorned themselves into that tiny space to attend our Dead Feminists talk, we can’t thank you enough. Your support and enthusiasm for what we do was completely overwhelming—and it was so much fun to be able to get technical with y’all! (Sorry, the accent rubbed off a bit.)

One more thing: I know it somehow didn’t come across in my photos, but we were blown away by the sheer number of feminist fellas who came out of the woodwork and outed themselves as fans of the series. We love you guys—you make us feel like we must be doin’ something right. And thanks to the conference, we’re fired up and ready to get back to work.

Codex-ified

Codex Book Fair 2011 photo by Chandler O'Leary

Note: this is an excerpt of the Codex post over on Chandler’s studio blog. You can read the full post about the event here.

You know, I spent the whole time we were at Codex just trying to process everything around me. I thought the few weeks since that I’ve been telling stories and rehashing memories would make it easier to sort it out in my mind, but I still just can’t seem to articulate the impressions bouncing around the inside of my skull.

It was just too big … too rich … too much.

Which probably explains why I never managed to get any decent photos—even with Jessica at the next table to spell me when I needed a break. I was too busy standing there goggling at the enormity of it all to document the experience properly. It was all I could do just to man my table and keep track of all the folks who stopped by to talk to me.

Dead Feminists artwork at the 2011 Codex Book Fair; photo by Chandler O'Leary

Here’s the short version of the story (if you want the long one, feel free to visit my studio blog):

Jessica and I spent four days exhibiting our wares (including our Dead Feminists broadsides) at the Codex International Bookfair in Berkeley, CA. We were among 140 exhibitors at the book fair, plus many hundreds of visitors: students, educators, private collectors, librarians, museum curators, conservators and archivists, hobbyists, publishers, supply vendors, gallery reps and dealers, bookstore owners, clubs and organizations, and every stripe of enthusiast were in attendance.

Codex Book Fair 2011. Photo by Codex Foundation.

Photo courtesy of the Codex Foundation.

So yeah. Codex is huge.

It was both intimidating and inspiring. I was immediately and constantly confronted with my own insignificance (I kept imagining that at any moment, some cartoon alarm would go off—woop! woop! woop!—alerting everyone to the fact that I didn’t belong there)—yet at the same time, everyone I met was warm and welcoming.

Codex Book Fair 2011 photo by Chandler O'Leary

Jessica’s done Codex once before, so she was prepared for the overwhelming onslaught of people.

2011 Artwork Catalog by Chandler O'Leary and Jessica Spring

She suggested that we put together a letterpress-printed take-away catalog of our work so that after the fair, when everyone was just as dazed as I was, they’d have something to remember us by. (And that ended up being a great idea, and a big hit—we had tons of follow-up messages afterward, and we didn’t see anything like the catalog at the book fair.) Since we collaborate on so many things, we decided to combine our efforts into one joint catalog—with a twist.

2011 Artwork Catalog by Chandler O'Leary and Jessica Spring

We figured we had an opportunity to clear up a little of the confusion over who does what around here, so we had fun playing with the design possibilities. Jessica came up with a flip-flop format, and I designed two covers that would come together at the spine to form a single image if laid flat. Held one way, you’d read her half of the catalog; flip it over and read from the back, and it becomes my half. We converged in the middle with a Dead Feminist “centerfold” (ha!).

2011 Artwork Catalog by Chandler O'Leary and Jessica Spring

It’s hard to remember that we were in a city as fabulous as Berkeley—the folks at Codex had created a complete world just in that one room. (Though we did get out enough to discover that when the overstimulation had us in a daze, a hot-cookie ice cream sandwich down the street was just the ticket. Thank you, Berkeley!) The next fair is two years away, but I came home with what seemed like a decade’s worth of inspiration. And I find I’m already looking forward to Codex 2013—sensory overload and all.

Bring it on. I’ll be there.

Suffragist City

Washington state capitol photo by Chandler O'Leary

Today I bundled up and headed down to the state capitol in Oly for a once-in-a-century party.

Washington state capitol photo by Chandler O'Leary

One hundred years ago today, the state of Washington approved an amendment to the state constitution granting women the right to vote.

Washington state women's suffrage centennial photo by Chandler O'Leary

To celebrate the occasion, the capitol rotunda played host to the Centennial Day of Jubilation. Forget collaborating on Jell-o recipes; I think even May and Emma would have agreed on how cool an idea this was.

Washington state women's suffrage centennial photo by Chandler O'Leary

Everyone in the Rotunda got in on the action. The Lieutenant Governor’s office, here, was transformed into a picket line,

Washington state women's suffrage centennial photo by Chandler O'Leary

while reenactors turned the foyer into a debate chamber.

Washington state women's suffrage centennial photo by Chandler O'Leary

And upstairs, in the Reception Room, a feisty demonstrator channeled the spirit of the suffragists—

Washington state women's suffrage centennial photo by Chandler O'Leary

and did her best to drag the audience into the past with her.

Washington state women's suffrage centennial photo by Chandler O'Leary

It’s too bad I don’t own any Edwardian clothing—I felt a bit underdressed for the occasion.

Centennial of Women's Suffrage, Washington state capitol

Still, I managed to channel my inner suffragist, even without the corset and bustle.

Button photo by Chandler O'Leary

And on my twenty-first century overcoat, I found a way to wear a little pride. In my head I did a little thank-you salute to all the Washington suffragists of old. Ladies, we couldn’t celebrate without you.

Holy smokes!

Detail of "Drill, Baby, Drill" letterpress broadside by Chandler O'Leary and Jessica Spring

I meant to post this last night, but it was all I could do just to get to bed and not fall asleep on the floor, buried under all the receipts and mailers.

So as of last night, just over twenty-four hours after posting Drill, Baby, Drill online, we are sold out. I am just completely floored. I think the response you folks have given us may have burned a hole through my computer screen.

Thank you to everybody who had to put up with my dropping the ball when it came to updating the quantities in the shop. I wandered away from the computer a couple of times—once for this, on our garage:

Photo by Chandler O'Leary

and once more for this:

chandler_oleary_rustonway_5049

We simply can’t find the words to express our thanks. Your emails poured in; you called to congratulate us; you posted comments; you told your friends; you spread the word like wildfire on social media; you shared your stories. You have continued to show your unflagging support for two gals trying to make a living by making art. And you have reminded us that on the whole people are good, and that we want to come together to heal the damage in the Gulf—and to come up with a better solution for everyone. That brought me to tears all over again—this time, the kind that come with a smile.

I’m off to send our donation to Oceana. With everything we have, thank you all. We can only hope our broadside can be worthy of your hearts.

Girl power

"Kiki" magazine with feature on the "Dead Feminists" series by Chandler O'Leary and Jessica Spring

Jessica and I have had some seriously huge smiles for the past couple of days: we just received our copies of the latest issue of Kiki Magazine, which contains a feature on the Dead Feminists!

Before we were contacted for an interview, neither of us had heard of the magazine, but I can tell you that we became instant fans when we read its mission. Unlike so many other magazines written for teenage girls, which usually (even if inadvertently) tend to focus on questioning one’s body, popularity, attractiveness and overall self-worth, Kiki aims to empower girls with self-esteem, confidence, and a wide variety of knowledge and skills. As someone who is generally dismayed by the lack of respect with which our society tends to treat girls and women, and the self-loathing and doubts still being ingrained from their earliest experiences onward, Kiki seems like a breath of fresh air—and a huge relief.

"Kiki" magazine with feature on the "Dead Feminists" series by Chandler O'Leary and Jessica Spring

And hey—who are we really creating these broadsides for, anyway? What is it that we’re trying to change in our world? It’s not just about the social issues we cover with each piece—it’s about teaching the women and girls around us that they can be heard, that what they say and do matters.

"Kiki" magazine with feature on the "Dead Feminists" series by Chandler O'Leary and Jessica Spring

So Kiki gets an A-plus in my book, not just for the thoughtful content (no ads! No boy-crazy quizzes! All substance!), but for the fantastic design! This thing is seriously fun to read and gorgeous to look at. And look! My favorite part:

"Kiki" magazine with feature on the "Dead Feminists" series by Chandler O'Leary and Jessica Spring

Rock on, Kiki. We’re honored to be a part of what you do.

On display

Detail of "End of the Line" letterpress broadside by Chandler O'Leary and Jessica Spring

Big thank-you and shout-out to Laura Russell of 23 Sandy Gallery in Portland, for featuring End of the Line on the promo materials for a new show that opens tonight. Broadsided! is national, juried exhibition of letterpress broadsides featuring the work of thirty-four artists. Here are the details from the 23 Sandy website:

Broadsided! The Intersection of Art and Literature
October 2-31, 2009
23 Sandy Gallery
623 NE 23rd Avenue
Portland, OR 97232
Opening reception: Friday, October 2, 6-9 pm

Before books, before blogs and before broadcasts, there were broadsides. Historically, single sheet broadsheet posters were ephemeral in nature. They were developed in the fifteenth century for royal proclamations, official notices and even advertisements. Today, broadsides hang at the intersection of art and literature. Letterpress printed broadsides are valued as fine art designed and printed by a true craftsperson; but also as fine literature featuring stellar poetry or prose.

The best part about the Broadsided! exhibit is that you don’t have to be local to see it! Laura has set up a fantastic online catalogue of the work in the show, with photos and the complete text from each broadside. Nothing beats seeing art in person, of course, but if you can’t make it to Portland this fall, this is a brilliant alternative.