Category: In the Wild

May 6, 2015

Ladies of Letterpress

This beauty arrived in the post a little while ago, and I finally remembered to put it down for a moment to take some photos to share with you. Our broadsides are in a new book! Our friends Kseniya Thomas and Jessica C. White, who founded the Ladies of Letterpress organization and conference, have just published a gorgeous anthology of women printers with the Ivy Press and Princeton Architectural Press.

The format of the book is really something special. First of all, it’s huge—a whopping 11 x 14 inches—so you can really get in close and see the detail of all the work featured. Second, each page features a large piece on one side, and smaller images and background info on the other—and every page is perforated, so those who want to can turn their favorite pages into frameable wall art. (Not that this book purist would do that, but it’s a great idea!)

Jessica and I are honored to be a part of the book, and proud to be some of the earliest members of the Ladies of Letterpress community. Best of all, it feels so good to be in a book with so many of our friends and colleagues, and included with such great work being done around the U.S. So in honor of our community of printer friends, we’ve been given the green light to share our contributor’s discount with all our friends. If you’d like a copy of the book, you can order it at PA Press and enter the code LETTER for a 35% discount!

And speaking of community and the Dead Feminists, Jessica and I have a large batch of them on display right now at the gallery at the Minnesota Center for Book Arts. (I don’t have a photo of the show yet to share with you, but when I get one I’ll post it here.) The exhibit is called The Contained Narrative, and deals with all the myriad ways books and broadsides tell a story—from the traditional to the unexpected. Nine of our broadsides will be on display (it’s been many years since we displayed so many at once!), as part of the “Book as Community & Collaboration” section of the show.

The exhibit is already on display, and timed to run through the 2015 Book Arts Biennial this summer—where book artists and visitors from around the world will see it. If you happen to be in the Twin Cities this season, here are the details:

The Contained Narrative: Defining the Contemporary Artist Book
April 8 through July 26, 2015
Star Tribune Foundation Gallery, Minnesota Center for Book Arts
1011 Washington Avenue South, Minneapolis, MN
Opening reception: Friday, May 8, 6 to 9 pm
Closing reception: Friday, July 24, 6 to 9 pm
More info and list of artists here

March 16, 2015

Remember the Alamo

I just got back from a month-long road trip—one of the highlights was finally getting to see the setting of one of our broadsides in person. Back when Jessica and I created our On a Mission broadside a few years ago, we did a ton of research about San Antonio and the Alamo—but neither of us had ever actually been there in person. So you can imagine how much I geeked out when I visited the place—especially when I saw a plaque explaining how our girl Adina De Zavala is responsible for saving and preserving the place.

Here’s hoping there are many more Dead Feminist field trips in the future!

February 3, 2015

Codex-bound

Well, I’m hitting the road again—I can’t believe it’s been two years already, but the CODEX Bookfair has come around again. Jessica and I will both be exhibiting, and we’ll have lots of new projects making their debut there (including the new broadside!)

The best thing about CODEX is being able to stand in a room with hundreds of pieces of art—art that you can touch, while you have a conversation with the artist who made it. The event showcases the work of some of the best book artists, printmakers, paper artists and typographers working today—the result is an astounding display of artwork and ephemera from all over the world. So if you’re even remotely local, it’s well worth the trip.

You’ll find me at the Anagram Press table (#84) and Jessica right at the next table—so stop by and say hello!

Fifth CODEX International Bookfair
February 8-11, 2015
Craneway Pavilion, Richmond, CA
Open today and Tuesday 12:30 to 6; Wednesday 10 to 3
Admission: $10 per day ($5 students) or $30 for multi-day pass

September 21, 2014

On the same wavelength

We just picked up a sheet of the new Shirley Chisholm postage stamps—not just because Shirley is awesome, but also because the color scheme matches our Shirley broadside perfectly! (Great minds think alike?)

July 3, 2014

Sweet surprise

At long last, Tacoma has a real ice cream parlor—I can’t tell you how many years we’ve waited for this. Today I stood in line for the best coffee ice cream I’ve had in years, and while I waited my turn to pay, I noticed something familiar behind the counter!

It was our Just Desserts postcard! Jessica and I couldn’t be more proud. So to the new shop, Ice Cream Social: welcome to Tacoma, and thank you for making us a part of the decor!

May 13, 2014

They clean up nice, don’t they?

Well, I only just realized that my only photo of last night’s opening (stupid phone!) was so out of focus, but oh well. It still gives you an idea of how nicely the Wayzgoose steamroller prints look on a gallery wall!

Thanks to everybody who made the trek down to Parkland last night for the shindig—and to Jessica for organizing, curating and installing these beasts!

April 30, 2014

Water off a goose’s back

Don’t be distracted by Ric’s smile—see the puddles everywhere? See the winter gear people are wearing? Sunday was the craziest Wayzgoose yet, hands down. That’s because we had both the biggest crowd ever and the worst weather imaginable. So that smile is one of triumph: getting a decent steamroller print that day required beating some serious odds.

It rained sideways while Jessica inked.

It hailed while we lined up our block.

Photo by Dr. Jamie Brooks

It froze while we peeled our prints up.

Photo by Dr. Jamie Brooks

It blew a gale while I painted.

Still, despite the mishaps, I think it turned out alright. Jessica and I are calling our print “Park Place”—created in gratitude over the passage of a bond that would fund our city park system. The map in the center shows most of Tacoma’s parks, with twelve of our favorites called out like properties on a Monopoly board.

We even took a snippet of the illustration and sent it over to the talented screenprinting booth folks, who turned it into a t-shirt design during the event (you can just see a peek of it in the upper left corner).

Since the rain and wind prevented us from hanging the finished prints outside during Wayzgoose, most of the people who came that day didn’t get to see anybody’s finished print. So today Ric, Jessica and I remedied that.

Thanks to Spaceworks Tacoma, all of this year’s steamroller prints are on exhibit in the Woolworth Windows downtown…

…where you can see them—in fair weather or foul—now through August 21.

Thanks to everyone who visited or volunteered at Wayzgoose this year, and to King’s Books and the Tacoma Arts Commission for making it all happen!

March 10, 2014

Gallery goose

This year marks the 10th Anniversary of the Tacoma Wayzgoose! The festival isn’t until the end of April, but we’re celebrating early with an exhibit of all the giant steamroller prints created over the years at the Pacific Lutheran University Gallery. It’s going to be a doozy!

And we’re honored to see the artwork we created gracing all the promo materials for the exhibit! (Thanks, PLU.) If you’re in the Seattle-Tacoma area this Wednesday, stop by for the opening, won’t you?

In the meantime, we’re about to get crackin’ on this year’s steamroller print…look for a teaser soon.

February 12, 2013

The view from where I stand

Right now I’m in California, manning my table and representing the Dead Feminists at the Codex Book Fair. But I have to say, it’s a little hard to concentrate.

I mean, not only am I surrounded by incredible work by a couple hundred artists—but just look at this space! We’re in a new venue this year, and it is absolutely spectacular.

Plus, we’re literally right on the water (really—the pavilion sits right on a pier), so as if all the artwork here weren’t distraction enough, all anyone has to do is just gaze out the window.

Now, it’s a good thing my studio isn’t in a place like this—I don’t think I’d ever get any work done!