Category: In the Wild

A Leaf From Her Book

An absolute and constant motivation for us in creating the Dead Feminists series has been the opportunity to find and share the words and stories of women that people should know, but often don’t. While this might be considered teaching, a February trip to Farmville, Virginia, gave us the chance to be the students. We were invited by Longwood University Professor Kerri Cushman to learn more about the struggle against school segregation that began April 23, 1951 in Prince Edward County—long before the Montgomery bus boycott. On that day, 16-year-old Barbara Rose Johns led her classmates to strike against conditions at their all-black high school. Her persistence convinced NAACP lawyers to take up the students’ cause, filing a suit which would become one of five cases included in Brown v Board of Education.Farmville, Virginia photo by Chandler O'Leary

Farmville, Virginia photo by Chandler O'Leary

R.R. Moton Museum photo by Chandler O'Leary

Barbara’s former high school is now the home of the Moton Museum, a National Historic Landmark. A reconstruction of temporary tar paper shacks built to house overcrowded students, and first-person accounts help visitors understand the extreme conditions that motivated students to strike. According to Barbara’s sister, Joan: “In winter the school was very cold. And a lot of times we had to put on our jackets. Now, the students that sat closest to the wood stove were very warm and the ones who sat farthest away were very cold. And I remember being cold a lot of times and sitting in the classroom with my jacket on. When it rained, we would get water through the ceiling. So there were lots of pails sitting around the classroom. And sometimes we had to raise our umbrellas to keep the water off our heads. It was a very difficult setting for trying to learn.”

R.R. Moton Museum photo by Chandler O'Leary

Farmville, Virginia photo by Chandler O'Leary

Farmville, Virginia photo by Chandler O'Leary As a result of the Brown decision, in 1959 the Board of Supervisors refused to appropriate any funds at all for the County School Board. From 1959 to 1964 Prince Edward County closed their public schools to avoid integration. While many white children attended segregated private schools, black children had to go elsewhere, attend makeshift schools, or forego years of formal education. In 1964, The Supreme Court in Griffin v. Prince Edward ordered schools to reopen, declaring “the time for mere ‘deliberate speed’ has run out.”

Virginia Civil Rights Monument photo by Chandler O'LearyThe Virginia Civil Rights Memorial in Richmond honors Barbara and the striking students.

Virginia Civil Rights Monument photo by Chandler O'Leary

As we considered how best to honor Barbara’s story in our collaboration at Longwood, we took inspiration from what motivated her to take courageous action:  “It was time that Negroes were treated equally with whites, time that they had a decent school, time for the students themselves to do something about it. There wasn’t any fear. I just thought — this is your moment. Seize it!”

Process photo of the creation of our Barbara Johns print at Longwood University

We knew this project would be a little different from our other Dead Feminists broadsides–it would have to happen in a short visit, and we had the special opportunity to create a bigger collaboration and utilize handmade paper. Kerri and her students embraced the idea of making shaped paper that would reference the region’s history as a tobacco producer as well as suggest the shape and look of high school pennants. Kerri created custom paper moulds, and Chandler’s illustration worked to fill the space in both form and content.

Process photo of the creation of our Barbara Johns print at Longwood University

We also created stencils (magnetic sheets cut to resemble leaf veins) and used actual cooked tobacco “juice” to stain each sheet of handmade paper. The five leaf veins represent the five school integration cases.

Process photo of the creation of our Barbara Johns print at Longwood University Process photo of the creation of our Barbara Johns print at Longwood University

In addition to the gorgeous papermaking facilities at Longwood, there are plenty of printing presses. Kerri and her students created plates from Chandler’s illustration on site, and we handset the curved colophon. With ink mixed, we had two presses running and plenty of community members and students attending our working demonstration.

Process photo of the creation of our Barbara Johns print at Longwood University Process photo of the creation of our Barbara Johns print at Longwood University Process photo of the creation of our Barbara Johns print at Longwood UniversityProcess photo of the creation of our Barbara Johns print at Longwood UniversityThe shaped leaf was best handled through the presses by carefully mounting with painter’s tape on a carrier sheet.

Process photo of the creation of our Barbara Johns print at Longwood University

Process photo of the creation of our Barbara Johns print at Longwood University

Process photo of the creation of our Barbara Johns print at Longwood University

We completed the edition with a lot of help from Kerri and her amazing students, including talented and enthusiastic studio assistant Juan Guevara. Working together, we made it happen!

"Broad Words" exhibition featuring artwork by Chandler O'Leary and Jessica Spring

We also shared our work in Longwood’s gallery, including some very big steamroller prints.

Detail of Barbara Johns mini Dead Feminists broadside by Chandler O'Leary and Jessica SpringWe completely enjoyed the opportunity to learn more about Farmville, papermaking, the Moton Museum, and of course, Barbara Rose Johns, as we share her story. We hope “A Leaf From Her Book” honors her bravery as a young woman, but also her continued commitment to education, as shown through her work as a librarian until the end of her life in 1991.

Kerri Cushman of Longwood University and Lara Fergeson of the Moton MuseumVery special thanks to Longwood Professors Kerri Cushman and Larissa Fergeson–collaborators, teachers and hosts–for seizing the moment with us.

 

Deeds (and Words)

1972 electoral college map

As we lurch towards Thanksgiving, still dismayed at the outcome of the election and the steady appointment of very conservative white men as cabinet leaders, we are taking some time to look back and regroup before we move ahead. It’s difficult to find a silver lining in what feels like a crushing defeat, but we are hardly the first to walk this particular mile. Many of the women featured in Dead Feminists: Historic Heroines in Living Color suffered incredibly disappointing losses. As the first woman to run for President on a major-party ticket, Shirley Chisholm turned over her 152 delegates to George McGovern, who was crushed by Nixon (who resigned in 1974 to avoid impeachment). Elizabeth Cady Stanton and Susan B. Anthony spent their lives working for the cause of suffrage, but both died before women got the vote. Alice Paul penned the Equal Rights Amendment, but never saw it passed—nor have we. (In 1972, the ERA was finally passed by Congress and sent to the states for ratification. The original seven-year limit was extended by Congress to June 30, 1982, but at that deadline, the ERA had been ratified by only 35 states, three states short of the 38 required.) All these losses are a reminder that we have so much work to do, and it’s going to be a lot harder than we ever thought.

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This fall, we have traveled around the Pacific Northwest sharing the stories of the women in our book. It has been largely celebratory—preaching to the choir, and meeting other authors with whom we agree. We spent several days in Portland for a long run of events, including the opportunity to speak on a panel at Wordstock about boundary-breaking women with best-selling author Laurie Notaro and moderator Elly Blue. An event at Powell’s on Hawthorne let us share the stage with Rad Women Kate Schatz and Miriam Klein Stahl. The tour wound up with an appearance at Beach Books on the Oregon Coast, attended by Jessica’s mom and three sisters—an intense feminist posse. We even hit the road on election day, speaking to a standing-room-only crowd at the University of Puget Sound, everyone jubilant with the thought that we’d be celebrating that night.

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A post-election event at Third Place Books last week was—in contrast—fairly somber, lightened by host Lish McBride (YA author of the fantastic Necromancer and Firebug series, who shared some tips for us newbie authors) and an earnest audience. Carole, an insatiable reader, asked us to sign a copy of our book to send to Donald Trump, thinking the abundant visuals would be welcome by a self-acknowledged non-reader. Another woman introduced herself as a Republican, sharing how she scolded her reading group, admonishing them that they could “still be Feminists and Republicans too.” We left that evening feeling recharged, having been told by many women there that they found some comfort in the gathering and were inspired by a message of action.

While it has been amazing to see our books in stores throughout the country, we are especially excited to have our work in Washington, DC. The National Museum of Women in the Arts will feature our broadsides through the inauguration, until March 17th. Knowing that others have tread this path before us, and still others are following behind us, both heartens and strengthens us. And more than ever, we are reminded that all of us have the right and responsibility to act, for our words and deeds have an impact on the future.

Dead Feminists broadsides and steamroller print by Chandler O'Leary and Jessica Spring, on display at the Chartreuse Gallery in Phoenix, AZ.

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Tell tale feminists

Hand-lettered illustration from the book "Dead Feminists: Historical Heroines in Living Color" by Chandler O'Leary and Jessica Spring

Dead Feminists: Historic Heroines in Living Color has been out in the world for a few weeks, and most folks have been excited (beyond our immediate families). A common response has been one of surprise: “it’s a real book!” Dashing expectations of a coffee table book, Dead Feminists is more than 180 pages of the women, history and social issues entangled in our series of broadsides. Questions about the writing process have come up, from assumptions that we worked with a “real” writer, or that I did the writing while Chandler illustrated. While we definitely worked with talented editors at Sasquatch Books who steered the book towards “real” bookness, both of us did the research, writing and photo research over nearly two years.

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Many of our dearest Dead Feminists are writers, artists, or both– evidence that we all find a way to tell our stories. Elizabeth Cady Stanton, who launched our series, wrote most of the speeches delivered by Susan B. Anthony. Some writers and their books are well known, like Gwendolyn Brooks and Rachel Carson—who both confronted ongoing challenging social and environmental issues—and their voices can guide us still. We have mere fragments of poetry from Sappho and carefully handwritten letters from Jane Mecom to her brother—they give us insights into their lives and eras when words from women weren’t often valued or recorded. In the chapter entitled Tell, we focused especially on women who had stories to share, like Virginia Woolf, who carefully crafted and composed both the pages and handset type for printing. Knowing the time and care involved, there is little doubt in my mind that the act of being writer and printer sharpens both crafts.

Historic image of woman printing, from the Library of Congress

Without the discovery of Rywka Lipszyc’s diary found in the ashes of a Auschwitz crematorium she would have disappeared from history. Sarojini Naidu dreamed of independence for India through her poetry (“Waken, O slumber Mother and be crowned”) and was revered as a nightingale, filling the night air with song. We hope you’ll explore these stories more in depth through the book—and for local folks we have some opportunities in the next few weeks to join us in person.

Dead Feminists event at Ada's Technical Books for Lit Crawl Seattle

Here’s what’s coming up this week and next, when you’ll find us invading first Seattle, then Portland. You can find future events and more info on our events page.

• • •

LIT CRAWL Seattle: book signing and artist talk
Thursday, October 27, 2016, 8 pm
Ada’s Technical Books and Cafe
425 15th Ave. E., Seattle, WA

• • •

BROADS AND BROADSIDES
A retrospective exhibition featuring our series through broadsides and steamroller prints
Reception, book signing & costume party
Come dressed as your favorite historical feminist!
Saturday, October 29, 4 to 7 pm
(the show continues through December 16)
School of Visual Concepts
2300 7th Ave., Seattle, WA

• • •

DEAD FEMINISTS and RAD WOMEN: joint author event
with Kate Schatz and Miriam Klein Stahl, authors of Rad Women Worldwide
Thursday, November 3, 2016, 7:30 pm
Powell’s Books on Hawthorne
3723 SE Hawthorne Blvd., Portland, OR

• • •

LIT CRAWL Portland: book signing and artist talk
Friday, November 4, 2016, 8 pm
The Big Legrowlski
812 NW Couch St., Portland, OR

• • •

WORDSTOCK: Portland’s Book Festival
Chandler & Jessica appearing on an author panel
with Danielle Dutton, author of Margaret the First
and Laurie Notaro, author of Crossing the Horizon
moderated by Elly Blue of Microcosm Press
Book signing to follow
Saturday, November 5, 2016, 1:30 pm
The Old Church
1422 SW 11th Avenue, Portland, OR

• • •

BEACH BROADS(ides)
book signing and artist talk on the gorgeous Oregon coast!
Saturday, November 5, 2016, 6:30 pm
Beach Books
616 Broadway, Seaside, OR

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Lively Dead Feminists

Costumed historical feminists at the Dead Feminists book launch at King's Books in Tacoma, WA. Photo by Eli Gandour-Rood.

What a week we’ve had. It started with an incredibly fun party at King’s Books for our book release. Dead Feminists fans arrived in awesome costumes, filling the bookstore with Fridas, some Zimmermans, Georgia O’Keeffe, Harriet Tubman, Babe Zaharias, Rosie the Riveter, Woodrow Wilson and John Stuart Mill and lots of Live Feminists. Victoria Woodhull (aka sweet pea, the owner of King’s Books) presided over the event, remaining on fairly good terms with the Susan B. Anthonys, despite their historic friction.
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Susan B. and Elizabeth Cady Stanton (aka Jessica & Chandler) signed piles of books, and especially enjoyed hearing about gifts intended for cool feminist grandmothers or soon-to-be-born feminists. Many, many thanks to Northwest Costume and especially Ricky German, who costumed us with aplomb then arrived as Harriet Tubman; to sweet pea, Raissa and Kenny for their excellent book wrangling; to friends who waited patiently in line to join us in celebration, to our editor Hannah from Sasquatch Books, and photographer Eli Gandour-Rood.
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This was just the first of many events to come, in Tacoma, Seattle, Portland, and other places throughout the Northwest and beyond. If you’d like to join us this fall, check out our events page!

 

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Today’s the day!

Readers with "Dead Feminists: Historical Heroines in Living Color" by Chandler O'Leary and Jessica Spring

People everywhere can finally read our book, because today is the official release date! You can find your copy wherever books are sold—you’ll find all the major retailers on our book page.

If you’re in the Seattle-Tacoma area, just a reminder that you can pick up your copy tonight (and see Jessica and me in costume) at our official release party at King’s Books!

Official Book Release Costume Party
Tuesday, October 11, 7 pm
Hosted by King’s Books
218 St. Helens Avenue, Tacoma, WA
Event is free, all ages welcome; more info here
Come in costume, dressed as your favorite historical feminist!

We’d also love to see you at Tacoma’s Studio Tours, happening this Saturday and Sunday. This is our biggest event of the year, where we join more than 50 Tacoma artists for a city-wide free event. We’ll be selling (and signing) copies of our book at the event, as well our new Dead Feminists broadside and a special new mini letterpress print. We’ll also have a host of new gifts and stationery for sale, plus free hands-on activities: print your own keepsakes at Jessica’s studio, and create a die-cut greeting card at my place. Sstamp your Studio Tour Passport at at least 8 stops on the tour, you can enter a drawing for a variety of artist-made prizes. Here’s the scoop:

Tacoma Studio Tours
This Saturday & Sunday, October 15 & 16
11 am to 5 pm, free!
Chandler is stop #9; Jessica is stop #15

If you’ll excuse us, we have some costumes to get into… See you tonight!

 

Get gussied up

Tuesday is the day! Our book will be released worldwide on October 11, and we’re celebrating with a costume party! This is where you can be the first to get your hands on the book—and extra worth the effort if you want to see Jessica and me wearing ridiculous wigs. We don’t want to be the only ones celebrating Halloween early, so come on down and join the party. We’ll have prizes for the best outfits, Dead Feminists cake and punch, and a printing press ready to make your own keepsake. We’d love to sign a book for you, too. If you’re looking for costume ideas, you might dress up as one of the ladies in our book…

…or you might choose another favorite historical heroine, or a beloved fictional character, or even an historic feminist dude! Anything goes, and we can’t wait to see what you come up with. Here’s the skinny on the event:

Official Book Release Costume Party
Tuesday, October 11, 7 pm
Hosted by King’s Books
218 St. Helens Avenue, Tacoma, WA
Event is free, all ages welcome; more info here
Come in costume, dressed as your favorite historical feminist!

Installing the Dead Feminists exhibition at the 23Sandy Gallery in Portland, OR

In addition to finally sharing the book with you next week, we also wanted the chance to share some of our original artwork. So for the past two years we’ve been planning a big retrospective exhibit with the 23Sandy Gallery in Portland, OR. Laura Russell, the owner and curator of the gallery, has been a major supporter of our series since the beginning—and this week it was no different, as she jumped right in and helped us install our artwork in her space!

Exhibit of the Dead Feminists series by Chandler O'Leary and Jessica Spring at the 23Sandy Gallery in Portland, OR

The show features 10 original letterpress broadsides from our series, two mini-broadsides, original process materials, plus vintage ephemera from our book. This is the first time we’ve done a show like this, and 23Sandy is the only place you’ll still find some of our older, out-of-print broadsides available for sale.

Exhibit of the Dead Feminists series by Chandler O'Leary and Jessica Spring at the 23Sandy Gallery in Portland, OR

The exhibit also includes our 24th and newest broadside, but since she comes out on October 11, alongside the book, we have her hidden under a black veil for now. But you can see her—and all the other artwork—unveiled at our reception and book signing later this month. Here are the details:

Make-Ready: Dead Feminists from Print to Page
A Dead Feminists retrospective exhibit
on display through October 29

Reception & book signing Saturday, October 22
4 to 6 pm, free!
23Sandy Gallery
623 NE 23rd Ave, Portland, OR

Exhibit of the Dead Feminists series by Chandler O'Leary and Jessica Spring at the 23Sandy Gallery in Portland, OR

If you can’t make it to Portland, you can also learn more about the exhibit and view an online catalog on the 23Sandy website.

Make-Ready is just one of many different exhibits in the works this fall—we’ve got the Dead Feminists coming to galleries around the country for both solo and group shows. We’ll be sharing more info here on the blog soon, but as always, you can find all our events, shows, book signings and talks listed on our events page.

See you Tuesday—in costume!

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T-minus…

Book process photos for "Dead Feminists: Historic Heroines in Living Color" by Chandler O'Leary and Jessica Spring

Jessica and I were so immersed in the process behind our book for so long that it still feels weird that the final product is almost here. Yet here we are, just under a month away from our release date! We have a metric ton of events planned in the next few months, with more being added all the time. And since releasing a book is a bit different than releasing a broadside, we’re already getting lots of questions about how this is all going to work. Here are the ones we’re hearing the most so far:

Where should I buy my copy? Should I wait until the release date?

You can preorder the book now from your favorite bookseller. Large or small, brick-and-mortar or virtual, indie or corporate, they can all get our book into your hands, and we have links to the book on both large and indie retailers over on our book page. Here’s the thing, though: preordering your copy really does help. Preorders can help retailers foresee how popular a book is going to be—the more preorders there are, the more they’ll stock when the book comes out. And more stock raises the book’s ranking, making the title more visible and searchable on retailer websites. It helps spread the word for us and introduces our book to a wider audience. So if you’re so inclined, preordering now will help ensure we get a good head start.

Would you rather I buy it from you and Jessica directly?

Thank you for thinking of us, and wanting to support us directly! In the end, though, we’ve decided that we will only be selling the book ourselves at certain local, in-person events. Events where we will sell the book ourselves include:

Tacoma Studio Tours, October 15-16
• Our exhibit opening at Seattle’s School of Visual Concepts, October 29
• Our Portland Lit Crawl event, November 3
• Our artist talk at the University of Puget Sound Library, November 8
• Our library talks in University Place (December 14) and Lacey (December 15)
• And by request/appointment for Seattle/Tacoma-area folks (you can always contact us if you want to do this)

If you want your copy shipped somewhere, your best bet is to order from your favorite bookseller. And since many of our other events are being hosted by bookstores and galleries, those folks will handle sales at those events. Here’s where you can find an up-to-date list of all our events so far.

What if I want a signed copy? If I’m not local, can I still get one?

Absolutely! Our local bookstore, King’s Books, is offering signed copies, which you can preorder on their website. They can ship anywhere in the world—all you need to do is specify that you want a signed copy in the “order comments” box when you place your order. Also, please specify if you want your book simply signed, or if you want it personalized to a specific name.

I am local, and I want to celebrate! Are you having a book release party?

You betcha! We’re having our official release party at King’s Books in Tacoma, on Tuesday, October 11 at 7 pm. And it’s a costume party! Come dressed as your favorite dead feminist and celebrate with us.

I’m a retailer, and I want to carry your book in my store. Do I purchase copies from you?

Retailers can buy wholesale copies direct from Penguin Random House, who is distributing the book. You’ll need to set up a retail account with them first, but from there bulk orders are easy. To get started, call 800.733.3000 or email csorders [AT] penguinrandomhouse [DOT] com.

Since the book is coming out, does that mean the letterpress broadside series is ending?

Not at all. Actually, our 24th and newest broadside will appear both in person and in the book concurrently. So that means we’re keeping it under wraps until the book comes out, but we’ll have some sneak peeks to show you in the next few weeks. And if you’re local, you’ll be able to see the print in person at Studio Tour on October 15-16, or at our upcoming exhibits in Seattle and Portland.

826chi

A young writer at one of 826CHI, a writing center we supported with our Warning Signs broadside. Photo courtesy of 826CHI.

And that brings us to some other great news we wanted to share with you. As you might already know, previously when we have released letterpress broadsides, we have also made donations to nonprofits that align with the issues we highlight with each print. With the book and broadside #24 about to come out, we’re starting a new chapter by inaugurating the Dead Feminists Fund.

In honor of the power of women’s work, the Dead Feminists Fund supports nonprofits that empower girls and women to create change in their own communities. Like our book, funding is organized under a series of Action Verbs (“Make,” “Grow,” “Lead,” “Tell,” etc.), which translate to micro grant categories. Each year the Fund will support nonprofits with micro grants in one of our Action categories.

The Dead Feminists Fund is a component fund of the Greater Tacoma Community Foundation, which manages, administers and invests in over 400 charitable funds, right from our home community of Tacoma. Being under the auspices of the GTCF allows donations made directly to the Dead Feminists Fund to be tax-deductible, and provides the proper legal framework to protect both our donors and our grant recipients.

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Artists typesetting at the Independent Publishing Resource Center, an organization we supported with our Paper Chase broadside. Photo by Caitlin Harris.

We seeded the Dead Feminists Fund with a large percentage of our book advance, and we will continue to donate a portion of our future broadside proceeds to supporting the Fund. Best of all, thanks to the generosity of Sasquatch Books, a portion of the sales of our book will also be contributed to the Fund. We’re especially grateful to Sasquatch because as an indie regional publisher, they understand the importance of giving back to one’s community, and how small gifts can make a big impact. And Sasquatch also knows the importance of supporting women and girls—after all, the team of editors, designers and marketing folks who have worked with us on our book with us are all women. If that’s not girl power, we don’t know what is.

If you’d like to support the Fund directly, you can make a tax-deductible donation directly through the Greater Tacoma Community Foundation website. (At that link, scroll down to find the Dead Feminists Fund in the alphabetical list.)

As always, thank you so much for your support of our series over the last eight years—we can’t wait to share the next chapter with you.

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In good company

Autostraddle's round-up of feminist books coming fall 2016

We just found out that Dead Feminists: Historical Heroines in Living Color has been included in Autostraddle’s roundup of feminist books coming out this fall, and we couldn’t be more thrilled! Also…we’re a bit intimidated, because it’s a bit mind-boggling to appear on a list that also includes Margaret Atwood, Roxane Gay, Zadie Smith and others. Most of all, though, it’s incredibly inspiring to be in the company of so many talented women writers.

Speaking of hanging out with women writers, in November we get to team up with another feminist duo (who are also included on Autostraddle’s list) for a joint author event at Powell’s Books in Portland! Kate Schatz and Miriam Klein Stahl, the respective author and illustrator of Rad American Women from A to Z, have a new book coming out on September 27, entitled Rad Women Worldwide. Kate was kind enough to say some super nice things about our book:

Dead Feminists offers well-researched and meticulously illustrated insight into some of America’s inspiring historic heroines—but it also goes way beyond that. This book is a profound and super-smart look at feminist craft, creation, and collaboration, and reminds us that what goes on behind the scenes can be just as powerful as the finished product. I am so grateful to Chandler and Jessica for allowing us into their radical world.”

We’re excited to read and pore over Kate and Miriam’s new book when it comes out, and even more excited to meet them in person for the Powell’s event. Here are the details:

Special joint Dead Feminists & Rad Women author event
Thursday, November 3, 2016, 7:30 pm
Powell’s Books on Hawthorne
3723 SE Hawthorne Blvd, Portland, OR

And as always, you can find all our book-related signings, talks and shows on our events page.

The real thing

"Dead Feminists" book by Chandler O'Leary and Jessica Spring

It’s weird. Jessica and I have been working on this thing for two years now—imagining, planning, dreaming, drawing, writing, drafting, rewriting, editing, designing, redesigning, lettering, illustrating, editing again, photographing, curating, gathering, fact-checking, editing some more. But even though we did all of that, and for so long, only now does it actually feel like it’s really happening. Because now I’m sitting here with the actual book in my hands. We just received our advance copies, and for quite a while all I could think was, “It’s real.”

There are still two months to go before the book is real to everybody else, as well, but in the meantime we have a whole lot of snippets, sneak peeks and behind-the-scenes stuff to share. But if you’re champing at the bit like we are, you can pre-order your copy now.

Social currency

Harriet Tubman on the reimagined $20 bill

For the past year there has been a movement to replace Andrew Jackson’s portrait on the $20 bill with that of a woman, thanks to the folks at Women On 20s. The effort went viral, with people all over the country weighing in on who should grace the bill instead. Harriet Tubman was the most popular choice—and last May Women On 20s presented the signatures of a nationwide petition to the US Treasury. Just a month later, the Treasury responded with the news that a woman would soon be featured on a bill—but the much less widely circulated 10-spot, not the 20. Now that it’s Leap Day and Women On 20s just turned one year old, Jessica and I are adding our voices to the call.

The last time a woman appeared on American paper currency was Martha Washington in 1886. Since we think it’s long past time to #DitchJackson and include a woman on our money, I put together a little snippet of a Tubman bill. Here’s hoping that after her effigy garnered so much public support, Ms. Tubman will get rewarded with a little hard currency after all.